Steppenwolf (2024)

Dobar negativac je onaj koji se dopadne publici bez obzira na to koliko je loš.

U jeku građanskog rata ukrštaju se putevi jednog šizofrenog, podmuklog i okrutnog policajca i mentalno zaostale prostitutke kojoj on pomaže da pronađe sina — ne bi li ostvario svoj sopstveni cilj: osvetu.

Reč je o akcionoj tragikomediji koja na vizuelno ekspresivan način, uz minimalnu upotrebu dijaloga, dočarava putovanje dvoje ljudi koji su naizgled potpuno različiti, a u suštini slični na svoj način.

Najveću vrednost filma ipak donosi lik policajca: na početku ga iskreno mrzite, negde na polovini filma počinjete da ga simpatišete, a na kraju ga — sažaljevate.


A good villain is one the audience likes, no matter how evil he is.

Amidst a civil war, the paths of a schizophrenic, devious, and brutal police officer cross with those of a mentally impaired prostitute, whom he helps to find her son — all in order to fulfill his own goal: revenge.

This is an action tragicomedy that, in a visually expressive way and with minimal use of dialogue, portrays the journey of two people who seem completely different, yet are, in their own way, remarkably similar.

The film’s greatest strength lies in the character of the policeman: at first, you genuinely hate him; midway through, you start to like him; and by the end — you pity him.